I think there was a time when I realised that playing piano was the best thing I cold do. It is also what fulfils me to the fullest extent. And let’s be honest, with all brilliant and wonderful piano repertoire it is easy to be tempted. I guess that another aspect is what the stage brings, though sometimes it can be terrifying, it also gives you that rare opportunity to connect with people whom you would never have the chance to interact otherwise. This mutual appreciation makes you feel that you are a part of something great. Finally it is the music itself, as obvious as it sounds, this is what attracts me the most in life.
Do you have a career highlight?
I hope there is one still yet to come! However few years back playing a solo recital at the Royal Festival Hall in London was a pretty special occasion. And I’m soon to be engaged to play with the Chinese National Symphony Orchestra at the National Grand Theatre located in Tiananmen Square later this year. As a native Chinese living abroad for many years, that is very exciting.
I think it must have been a gradual realisation over the years, though I was fortunate enough to be admitted to study at the Central Conservatory of Music in Beijing from a very early age. From there I received the best possible training I could have at the time and working with very inspiring music teachers (Bi Gang Chen, Zhong Hui) who influenced me a lot in deciding to become a pianist.
I owe every success to my professors, Tamas Vesmas and Joan Havill, are both fantastic musicians and teachers who came from lineage of eminent music icons: Nadia Boulanger; Louis Kentner; Florica Musicescu (Dinu Lipatti’s teacher) to name a few.
Generally Chinese people have a deep-rooted sense of discipline and great working ethos, both qualities paramount to early piano training. And to define what is the Chinese culture it seems a too difficult and large topic. One must not forget, China has a long history of cultural diversity, religions and the fact that several dynasties ruling parties were not Chinese. So it is perhaps not a complete surprise that contrary to what many western people think, there are many thriving Chinese artists working in the field of traditional Western music nowadays.
What are your plans for 2013?
I will keep enjoying my collaboration as soloist recording for the music publication ‘Pianist Magazine’; a tour in my home country at the end of the year with other concert activities as usual; and learn more Rachmaninov pieces!
Don’t change teachers too quickly or frequently, as it often can be more damaging to a young pianists development. Be persistent, hard-working and always try to better yourself, and be grateful that we are able to pursue what we love to do.